The Most Heard, Least Known Composers In America
December 2, 2013Posted by on
Seasons Greetings, Everyone!
The holidays are here, and this year has a special meaning. I’d like to invite you to help us raise awareness for a great little cause with a very big heart.
It’s Little Kids Rock, a fantastic nonprofit dedicated to revitalizing music education in America. With your help, Little Kids Rock provides free instruments and music lessons to underserved public school kids, coast-to-coast.
Last year we produced a special CD called The Six Strings of Christmas, an album of holiday arrangements performed by our family of studio musicians — those great players we work with every day. They donated their services, and we all donated our time to make it happen, resulting in a collection of 16 great acoustic yuletide classics all played on a six-string… well, with a few 4, 8, and 12 strings thrown in just for fun.
Thanks to the generosity of clients and friends like you, we were able to give $3,000 to Little Kids Rock.
We’re at it again this year, and here’s the best part: just like last year…100% of each $9.99 CD purchase goes directly to Little Kids Rock.
One of my favorite videos is watching the faces of these kids as they each receive a guitar at this Little Kids Rock workshop.
You can click here to learn more about Little Kids Rock and listen to The Six Strings of Christmas CD by clicking here.
Thank you so much for you help. Happy Holidays, and thanks for helping Little Kids Rock!
November 11, 2013Posted by on
Today is November 11th, which around the world is known as Armistice Day – commemorating the signing of the Armistice and ending World War I. Here in the states we know it as Veterans Day. But no matter its name, it serves the same purpose: to honor and recognize all those who serve. And so, we’d like to recognize all of our family and relatives here at SAM who have served or are currently serving in our Armed Forces – Thank you for your service.
James Boyd – US Army, Iraq/Afganistan
Fernando Rodriguez – Sgt Major, US Army
Dr Carroll Bitting Shaddock – WWII Papua New Guinea
William Gillett – RAF Spitfire Engineer , WWII Europe and North Africa
Peter Bernays – US Navy, WWII Pacific Theater
Juan Garcia – US Army 1st Infantry, Active Duty
Tony Matute – US Marines, Somalia
Matt Bolton – US Air Force, F-16 fighter pilot, Afganistan/Iraq, Active Duty
Rick Bernardino – US Army, Korean War
Travis Ohr – US Navy, Active Duty
Carlos Daming – US Army, Korean War
Bill Boyd – Air Force, Korean War
Jack Donald West – US Army, Korean War
Darrell Nix – US Air Force (1950-1970), B52 Tail Gunner, Korean War
Joel Nickel – US Army, Korean War
Dave Lorance – US Army 7th Infantry, Bayonet Division, Korean War
October 18, 2013Posted by on
In the broadcast news industry, mid-October means it’s time for the Edward R. Murrow Awards. Represented by Whitney and myself, Stephen Arnold Music made its annual fall pilgrimage up to the hustle and bustle of New York City.
Prior to the black-tie awards ceremony, we had the honor of hosting the pre-dinner cocktail hour and had fun rubbing elbows with some of the nation’s best producers and on-air talent. Congratulations to all the winners, especially to our valued clients including WVUE (Overall Excellence), WHEC (Breaking News), KGUN (Website), CNN (Continuing Coverage), ESPN (Feature Reporting) and several others…
Whit and I parlayed the Murrow Awards into an opportunity to meet with some of our clients. Any sports fan’s dream meeting would be in Bristol, CT on the set of ESPN (duh nuh nuh, duh nuh nuh – unfortunately, not our creation), and that’s exactly where we were all day on Tuesday. The sprawling campus looked more like a college university (it even has a football field, WITH FIELD TURF by the way, and a full court basketball gym) than a television network.
We also saw our good friends at Fox Business and spent a cool, autumn day in Greenwich, CT visiting with our partners at The Brand Gallery.
On a side-note, The Murrow Awards coincided with The Columbus Day Parade in Midtown on Monday, October 14th. Even though Whitney and I struggled to make our way through the Stoney Brook University marching band on our way to Grand Central, it was a productive and eventful day/trip!
I would sign off with his trademark “Good Night and Good Luck”, but I found a less-famous — but hilarious — quote by Murrow:
“We are in the same tent as the clowns and the freaks — that’s show business.”
See you all next year at the 2014 Edward R. Murrow Awards.
September 20, 2013Posted by on
If you’re going to NAB SMTE in Phoenix, be sure to stop by Booth #28 and say hi! We’ve got free, signed copies of Stephen’s book “A Story of Six Strings”.
While you’re there, be sure to drop off your business card for a chance to win this beauty, straight from Stephen Arnold’s collection!
2012 Dean Chrome Gold Acoustic/Electric Resonator Guitar
The cool thing about this axe is that it is more of a hybrid than anything. You have the sound & tone of a true resonator, but the playability and upper neck access of an electric or really great acoustic.
The artwork is amazing! It features an elaborate, engraved chrome body, rosewood fingerboard, mahogany neck, with classic F-holes, and a traditional slotted headstock. The versatile electronics system has both a magnetic “lipstick” pickup and a piezoelectric pickup, which gives you the ability to produce both electric and acoustic tones.
For the lucky winner, you’ll join the ranks of celebrated artists including ZZ Top’s Billy Gibbons, the late “Dimebag” Darrell Abbott (Pantera, Damageplan) Leslie West (Mountain, West, Bruce & Laing) and Dave Mustaine (Megadeth) who played Dean instruments to define their unforgettable styles.
The drawing will be held on Friday, September 27th at 4:30pm at Booth #28. So stop by and give us a shout. We hope to see you there!
September 20, 2013Posted by on
Go take a look at your DVD/BluRay collection. Go on … we’ll wait.
Notice anything in common? They all have some kind of “Dolby” somethingorother, right?
But have you ever wondered, “Just what the heck is ‘Dolby’?!” Well, that question has a few different answers.
Ray Dolby, who passed away this week at the age of 80, was a multi award-winning engineer whose contributions to the sound of our modern world can’t be overstated. He is best known for his pioneering noise-reduction system. What is noise-reduction? For that matter, some younger readers might even be asking, “What is noise, and why does it need to be reduced?”
For those of us who can remember the days before CDs (and long before the mp3 was even a glint in the milkman’s eye), our first exposure to the Dolby logo was likely on — what was at the time — the most portable method for listening to your favorite music: the Cassette Tape.
Youngsters will never truly understand just how bad these things sounded. Analog tape is inherently noisy. There’s actually an audible hiss screaming from the speakers at all times. Cassettes were just terrible … but they got us music junkies through the day.
While not as bad as the commercial cassette, the multi-track analog tape used in professional recording studios suffers from this same deficiency. In order to minimize the underlying noise, Ray Dolby invented a system that kind of changed everything. Ignoring for a moment the highly technical wizardry involved in actually pulling this off, the concept itself was brilliantly simple:
Since the noise on analog tape is consistent and predictable, it’s fairly easy to counteract with a two-step process. As you’re sending a sound to tape, you first pass it through a circuit that makes it louder in the same frequency range where the tape noise lives. Any part of the original sound that is similar to the tape noise gets boosted as it’s being recorded. Upon playback, you pass it through a similar circuit that decreases the volume of that frequency range.
What does this do? It essentially “turns down” the noise without turning down the sound you actually want to hear, and you end up with a much cleaner and clearer recording.
So what does this have to do with your movies? Well these days, not so much, actually. One of the great things about digital recording is that there is no noise inherent in the recording medium. You can record very quiet sounds without having to worry about that nasty hiss swallowing it up. Lucky for us, Mr. Dolby didn’t stop at noise reduction.
He and his fellow engineers at Dolby Laboratories created practically everything involved in modern surround sound systems. From innovative encoding techniques that deliver six (or more) discreet channels from a two-channel signal on a strip of celluloid, to standards and specifications on where you should put all those speakers in your living room, every blockbuster on your shelf owes its sound to the inventive minds of Ray Dolby and his team.
So the next time you hear something behind you and have to pause your movie to see if it was really there, you know who to thank.
August 30, 2013Posted by on
Everyone’s got that dog-eared book that’s barely held together at the binding from so many reads. Or that old holey t-shirt you can’t stop wearing. Or a ratty pair of sneakers you’ve had since high school. They’re comforting and comfortable and loved from overuse.
Instruments are very much the same – they grow with a person over the years in a symbiotic relationship. Dings and scratches mysteriously appear and eventually turn into holes and cracks. But rather than diminishing their sound, or appearance, or even their value – these are battle scars that define the personality of an instrument.
In recent years the ‘Road-worn guitar’ has become a sought-after item. Fender regularly distresses new guitars to give them that old feeling. But you can’t build “Trigger” in a day (Willie Nelson’s beloved classical guitar). It takes years of playing, frustration, and ‘eureka’ moments.
There are LOTS of guitars here at our studio, many dating back decades, even a century or more. And plenty have been played and played and played. But there is at least one guitar here that really shows what the power of playing can do to an instrument.
It’s a 1970 Guild D-40 NT. Serial number 48537. Its fret board is literally gouged out from thousands of hours of playing. Its pick guard not only isn’t there, it was essentially falling apart around the sound hole until a luthier worked his magic. The finish on the back of the neck is visibly worn off, as it is on the back of the body from rubbing against a belt buckle as it was played on stage.
On a personal note, I learned guitar on this Guild and it’s still almost my favorite acoustic to play (my own 2000 Martin D-28 has top honors!)
But don’t take my word for it – see for yourself in these pictures. And if you’ve got your own road-worn guitar we’d love to see it.
August 16, 2013Posted by on
Four years ago this week Les Paul died at the ripe old age of 94. It was truly the passing of a legend. And whether you were born in 1920 or the year 2000, he’s profoundly affected your life, and you might not even know it!
As a performer and musician, his TV and radio program “The Les Paul & Mary Show” was syndicated into millions of households and made him a star. Between 1945 and 1955 he notched over 20 top 10 hit songs, including 3 number ones. His lightning fast guitar licks influenced a generation of rockers, from the Beatles to Billy Gibbons. Steve Miller actually learned guitar from Les.
And while his influence as a musician is solid, it’s his innovations in how people heard his music that still affects us today.
Les didn’t actually invent the solid body electric guitar – Rickenbacker beat him by 8 years in 1932 – but his designs and innovations were integral in the evolution and popularization of it. The iconic guitar that bears his name – The Gibson Les Paul – was famously played by the likes of Neil Young, Slash, Jimmy Page, Duane Allman and Bob Marley, to name but a few.
His early recordings were the first to utilize Sound on Sound and Multi-track recording, and he’s credited with the development of overdubbing, close-micing, and tape delay & phasing as effects on his recordings. He essentially created and developed modern recording techniques (take THAT pro-tools!)
In an age where digital recording hardware and synthesized sounds can be bought for a few hundred bucks, the idea that a young man would tear apart his folks’ radio, or mount magnetic rods into guitars, or fill a guitar with plaster-of-Paris to stop vibrations; to actually create his own disc cutter assembly from used car parts (his original experiments with Sound on Sound recordings used acetate discs rather than magnetic tape) all in the quest to create or record or amplify his music is literally extraordinary.
So next time you’re tuning up your new axe or listening to the latest top 40 radio hit, take a moment to remember Les Paul.
He was a true renaissance man, and the world is quite a bit louder – and better sounding – thanks to him.
July 2, 2013Posted by on
We’re back (and well-rested) after a fantastic Promax Station Summit 2013. The conference was better than ever… and Vegas was hotter than ever! We saw all the usual suspects as well as some new faces with the addition of FPEC and our Telemundo amigos.
Congrats to all the Promax Silver and Gold winners! We’re elated to have won a Gold for our music/image campaign This Is The Place.
Congrats to WALA’s Sam Day who picked up the much-coveted Neil Young signed tele!
Thanks to everyone who came out for our third annual Thursday night acoustic jam. We loved having Greg Barnhill join us this year – as well as so many of our talented clients and friends who joined him at the mic. And we finally put the suite’s sunken tub to good use this year… Bathtub of beer!!!
See everyone next year!
June 17, 2013Posted by on
So once again Promax is upon us and SAM will be there to booze and schmooze with the best in the TV broadcast industry! We’ve got some new products to roll out – including the industry’s first fully searchable, keyword tagged online delivery for our syndicated packages - and if you’re attending the Station Summit in Las Vegas, then you won’t want to miss our legendary after hours Acoustic Jam Session (now in its 3rd year!)
Stephen will be presenting as part of a panel called “Hits and Misses 2013″ in Promax LA. on Thursday, June 20th (check your conference guide for time and locations). He and other top producers, composers and music supervisors will look at case studies of where music did and did not work in particular projects. Stephen’s been asked to present as an expert on custom music and sonic branding, which we’re very excited about! Check him out on this list of Promax speakers here »
And don’t forget to stop by our ‘booth’ on the floor whether you’re at Promax LA or Station Summit where you’ll find 4 guitars on display in museum style displays for 360 views. 3 are from Stephen’s personal collection and featured in the book A Story of Six Strings. The 4th display will be one of 2 guitars we’re giving away – either a 1930s National TriCone resonator replica (produced by Johnson) or a Neil Young SIGNED Fender Tele. So stop by, have a chat, drop your card in the box and maybe walk away with an awesome guitar.
Good Luck and hope to see you there, whether LA or Vegas!
For more info on both conferences:
June 14, 2013Posted by on
We have a new partnership that we want to tell you about: Stephen Arnold Music and PGM Artists http://pgmartists.com/ are now collaborating on select original music and sonic branding projects for the advertising sector.
PGM Artists is a high-level “matchmaker” that draws companies together from across a broad range of complementary disciplines. The firm was founded by marketing and production veteran Phil McIntyre, and they excel at connecting advertising agencies and corporations worldwide to creative and marketing resources, with the goal of enabling them to innovate, communicate and compete at the highest possible level.
There were a lot of great reasons to start working with PGM Artists. We think it’s a creative, forward-thinking company that really understands branding. And our commitment to creating memorable sonic branding is a perfect fit for the advertising world, which is where PGM Artists have proven they’re particularly effective.
It’s a highly accomplished firm with an elite track record – that’s the kind of company we like to keep.