The Most Heard, Least Known Composers In America
Tag Archives: Stephen Arnold Music
January 26, 2015Posted by on
Voting is now officially open for our online contest “What’s The Sound of Your Story?”
- Check out the Best Work from Your Peers here »
- Cast Your Vote.
- You Choose Who Wins!
THE WINNING STATION will receive this amazing guitar from Stephen’s collection:
An authenticated 1980’s Gibson Les Paul signed by Les Paul!
How It Works:
Simply click on the “thumbs up” icon for the video you like. Users can vote for their favorite video one (1) time every 24 hours during the voting period. After 2 weeks, the most popular video will be the winner!
January 8, 2015Posted by on
WHAT’S THE SOUND OF YOUR STORY?
It’s a contest! Simply submit your Promos, Branding, Image Campaigns, PSA’s, Specials & Graphic Opens.
Then check out the best work from your peers on our video voting site.
You Vote to Choose Who Wins! (Voting starts January 26th)
ENTER YOUR VIDEOS NOW – IT’S EASY!
How It Works:
Simply enter your video(s) with the form above (must be a YouTube or Vimeo link) by January 25th. After that, users can vote for their favorite video one (1) time every 24 hours during the voting period. After 2 weeks, the most popular video will be the winner!
Contact all your office mates, colleagues, peers, fans, friends, family, family friends, real friends, fake friends, facebook friends, friends with benefits, friends without benefits, followers, tweeters, instagramers, viners, and every random person who will support you and vote for your video so YOUR STATION can WIN this amazing guitar from Stephen’s collection: An authenticated Gibson Les Paul signed by Les Paul from the 1980’s!
Enter Now through January 25th. You Choose Who Wins. Enter Your Video Now!
December 12, 2014Posted by on
We’ve had quite an eventful year here at SAM – which we’ll no doubt touch on very soon, so check back here in the coming weeks! But in a year where we saw one of our largest rebranding projects EVER in CCTV International, we just had to get out to Promax Asia, held this year in Singapore!
Stephen Arnold Music was pleased to be a sponsor this year, and if you attended and didn’t pick up one of Stephen’s books – A Story of Six Strings – then be sure to let us know, and we’ll get one shipped out to you.
Our partners in the CCTV rebrand – Flint Skallen – were presenters in the session “A Deep Dive Into The Rebranding of CCTV International”
We’re very pleased to continue our long standing relationship with Promax and look forward to many more international projects!
December 2, 2014Posted by on
Season’s Greetings Everyone,
We’re back again this Holiday Season hoping to make our industry aware of this great organization, Little Kids Rock™.
Little Kids Rock™ provides free music lessons and instruments to underserved public school kids around the country.
Last year we were able to put 60 brand new acoustic guitars into the hands of children by raising over $3000 selling our Christmas CD, The Six Strings Of Christmas, which features many of our great Texas studio friends playing their own 6-string yuletide arrangements (100% of the proceeds go to Little Kids Rock).
Each CD costs just $9.99, and 100% of the proceeds are donated to Little Kids Rock, which means:
- 1 CD = Provides a child with three months of music lessons!
- 5 CDs = Puts a brand new acoustic guitar into a child’s hands!
- 10 CDs = Supplies a keyboard and amp to a public school music class!
So with the purchase of “The Six Strings of Christmas” by Stephen Arnold Music, you will be helping Little Kids Rock provide free instruments and music lessons to disadvantaged public school students in some of the most economically challenged communities in the United States!
Thanks for giving our children the right to rock!
Live samples from the sessions:
November 4, 2014Posted by on
Concerts. Let’s just say I’ve been to more than a few. From the symphony hall to the super-amplified arena, I’ve enjoyed many….well, most of them. Maximizing my concert experience is fraught with obstacles, but the big arenas try to make up for it. I stand in line to enter the venue, in line for beer and nachos, in line at the tee-shirt kiosk, and by this time I’ve finished my beer, in line to the restroom, to one day make it to my seat as the house lights go down and the crowd stands to a mezzo-frenzy. Whew! Magically, as though it were planned, light and sound burst into the venue and there on the stage are the entertainers I came to see and hear. Woo-whoo! Oh, I left out the second beer.
It’s ironic my ticket has a seat number. I can’t remember the last time I “sat” through an amplified concert. The front row stands up and the inevitable reverse domino-effect forces the whole arena to their feet. Goodbye, seat. Hello, feet. Maybe they should remove the seats and assign us a painted square on the floor. Now this would not work in America — we would lose our cup-holder.
I really [try to] enjoy concerts. Did I mention that? Well, it’s the music that lured me. One thing I’ve found that gets in the way of the sound is . . . the sound. Sounds kinda Zen, no? Though concert sound re-enforcement has really advanced nicely over the years, it can be a rather massive assault on the senses. Most of us wouldn’t have it any other way. And there was much rejoicing by all! I want to maximize my concert experience, but I can’t turn it up past 11.
Oh, yes I can. …. or at least turn in down to 11. Introducing earplugs.
Which brings us to what I call Concert Maximus.
Now don’t close your browser just yet. It’s amazing! Those spongy earplugs that re-expand in your outer ear seem to work the best for me. With earplugs I can still feel the chest-pounding barometrics, but now I can hear every nuance in the band, every subtlety in the performance. I can hear harmonies and harmonics that were masked by my eardrums being introduced in the middle of my head. With the band fortissimo, I can hear every subtlety on the drummer’s high-hat, the bass player’s frets on every note, the singer gasping for the next line. I can hear Fletcher and Munson applauding. (Hey, look it up.) I can hear the people behind me snickering at my earplugs. But, I can . . . hear . . . the concert!
Once I get past the initial Babblefish sensation of a bowling ball expanding in my ear, the advantages surface and continue beyond the encore. Afterward I don’t have the fashionable ear-hangover, that virtual cotton-in-my-ear sensation. I’m able to remember the concert better, since initially hearing it with higher detail, and have maximized the odds of getting my money’s worth. With that I’ll have another beer.
I understand your disbelief. I was embarrassed the first time I used plugs at a concert. But the experience was so copious, the performance so distinct, I will never attend another concert without.
Stephen Arnold Music